










Very exciting news, kittens. Guess which Washington D.C. based fine art photographer stumbled into a professional career without really even trying? This girl.
It all started with the Laib Wax Room at The Phillips Collection. I was chosen from a group of staff artists to assist Wolfgang Laib install a bees wax room in the museum. It was an honor to work on the first installation to the permanent collection in over fifty years and with an inspiring artist like Wolfgang Laib. For my own personal use, I started taking photographs of him working and our progress. I'll write and share more about this whole amazing experience later (look forward to an entry complete with photos and an awkward radio interview by yours truly) but until then, hang tight here. Imagine my shocked face when The Curator At Large asked me to take portraits of Wolfgang finishing up the room. I'm a landscape photographer. I love hills covered in clusters of trees, the barren expanse of a sandy beach, even an urban street lined with old brick row houses, but I don't feel comfortable making portraits. Instead of panicking and suggesting someone from the audio and visual department do it instead, I smiled and said sure, focused on my mantra (
there is no courage without fear, there is no courage without fear), and took a leap of faith that I could do this. The curator, The Director of Communications, and everyone else loved them. There was even talk of my photos being published in The Wall Street Journal, but at the last minute they went with a shot of the completed space taken a week after it was done. Even so, my photographs are all over the website (one is currently the first thing you see when you log on!), on giant monitors in the atrium of the museum, in e-newsletters, and more.
Excited about my recent success, I told the Director of Marketing at The Corcoran Gallery of Art about the project and my photography. He then asked if I would photograph artists for their NEXT exhibition coming up in April. I spent a day traipsing around the studios below the gallery. Breathing in the familiar scents of turpentine and fixer, watching people paint, sculpt, prepare to perform -- it was wonderful. After making the portraits, submitting the photos and waiting, a week or so later I received PDFs of the Corcoran's newsletter and various collateral materials-- all with my photographs on the cover.
My focus at The Corcoran has shifted from making Powerpoints, researching, and other menial tasks to revamping their public relations photography archive. I'm in charge of taking new photographs of The Corcoran College of Art + Design. In fact, they're extending my internship into the summer. I'm not sure exactly what will be happening, but they said it will be "more exciting" and I can't wait!
You guys. I am so thankful, so humbled, so blessed, so hopeful-- I don't know exactly how to convey what I'm feeling. All of this hard work, the unpaid internships, the hardship of moving across the country with my fingers crossed is starting to really pay off. Furthermore, I'm growing and changing, developing my skills, troubleshooting and recognizing areas in which I need to work in my own photography. It's all I could ask for. Thank you, universe. Thank you.